Category Archives: Movie Review

Prince of Persia: The Sands of Time

I guess I have a thing for movies with plots based on fantasy or magic. It never hurts to add some action scenes and a princess or two, either.

That’s a round-about way of saying I watched Prince of Persia: The Sands of Time in the theater today.

Movies based on video games gener­ally tend to miss expec­ta­tions, but happily, I have never played the video game that this movie is based on. If you haven’t either, then here’s the gist: a magic dagger turns back time and uses some magic sand to fuel its time-circuits (okay, I was just kidding about the time-circuits). You can figure out the rest.

Here’s the impor­tant thing to note about movies that involve time-travel: no matter what happens, you can’t take it at face value because sooner or later some bloke will come along and undo all of it. And when the only thing stopping you is some lame threat involving sand-storms across the world, no one really gives a second thought to changing time as they please. Now if someone had said the entire space-time fabric would come unrav­elled causing the Universe to implode, that would have made them sit up and pay attention…

In case you were wondering, the hero’s uncle — the King’s brother — is the bad guy. And in case you don’t want to read the spoilers, skip the previous sentence. With that out of the way, here are the top four reasons why he’s the bad guy:

  1. He is the prince’s uncle. Uncles seldom end up on the good side.
  2. The prince claims that he is the only one he can trust. Er…yeah, right.
  3. He has a pointy beard.
  4. He has a name like “Nizam”.

Moving on, there’s the question of how long the movie really lasted, after all of the time-travel, I mean. Here’s what happens: the Persian army camps outside the city, attacks at dawn, after which the prince accuses the uncle of treachery. In a bizarre reaction, the uncle gives himself away by attacking the prince (why?) and gets himself killed in the resulting scuffle. The prince gets the girl. The end.

Finally, the action sequences seemed a little far-fetched, but enter­taining. Now if you weren’t satis­fied with this movie, there’s always the sequel. Any movie that has a colon in it and sounds like “X: blah blah” has a sequel coming in the near future.

The Time Traveler’s Wife

Picking a movie to watch on an airplane is tricky business. Inexpe­ri­enced travelers make the mistake of choosing the movie they’ve been waiting to watch for the past month, or the one they think they’ll like the most. Bad idea. The audio is pretty bad on any airplane, and add the engine noise to that, and you’re left trying to lip-read the actors. Or you’ll crank up the volume to a point where you go deaf, and then life isn’t as much fun anymore.

Worse still, the little video screen in front of your seat may get turned off a little early, just before you’re told the name of the villain in a whodunit. And if that’s the movie you’ve been itching to watch for a while, it’s been effec­tively ruined for you.

That’s why I decided to watch “A Time Traveler’s Wife” on my trip from Seattle to Mumbai. It’s a perfect pick: I never really intended to watch the whole thing, so I couldn’t care less if it got cut off in the middle. The dialog didn’t matter too much, since Rachel McAdams is easy on the eyes and this is such a typical romance (man loves woman, woman loves man, man keep disap­pearing and popping up in other times, yada, yada…). And of course, I dozed off several times as the movie played on, but that didn’t matter all that much either.

Anyway, with this a priori stance about the movie, you shouldn’t really be expecting an unbiased review, but the truth is, I’m not here to comment on the movie at all. In fact, the only comment I have is on the name of the movie: I strongly believe the movie should have been named The Guy Who Disap­pears and Steals Clothes because, well, that’s what the lead character does all the time. Yes, he travels through time, sure, but that’s quite irrel­e­vant, especially on mute.

Speaking of traveling through space-time, have you ever noticed how time-travelers appear elsewhere almost instan­ta­neously? In real life, I would expect molecules of air and dust to get shoved aside violently when this happens, causing a tiny explo­sion. Oh well, I guess you can’t be all that realistic in a movie.…

On the bright side, this time traveler was less annoying than Hiro the Hero.

Another Equinox Goes By

It’s that time of the year again. You know what I’m talking about — the time when I come out of hiding and start posting something to my blog again.

Truth be told, I’m feeling kinda guilty about keeping mum all this while, especially after seeing several movies worthy of comment. Trust me, “worthy of comment” does not mean “excel­lent”, “wonderful” or anything like that. Not neces­sarily, anyway.

Digging up memories from the past long gone, I remember watching Inglou­rious Basterds, which was an excel­lent movie. Sudden bursts of extreme violence that’ll make you retch, but excel­lent all the same. I had almost completely recov­ered by the time the movie ended.

Ever sat in a large kadai and spun around until you felt sick? The funny thing is, it doesn’t take more than a week for you to forget all about that feeling and do it again. That’s an analogy, if you’re wondering what the heck I’m talking about. The very next week I watched this spectac­u­larly awful movie called District 9. I know, I know — some people like it, but if you thought the movie was good, then listen to this: in my mind, that movie’s become the de facto standard for judging bad movies. For instance, when I staggered out of Totem Lake Cinema after a valiant battle against Dil Bole Hadippa!, my first words were, “God! What an awful movie! Almost as bad as District 9!”

Okay, so I made that last part up, big deal.

Then there was Julie & Julia. That was a movie about cooking, so you’ll under­stand why I won’t say much about it. I was as out of place in that movie theater as a duck in a cuckoo’s nest.

If you’re sensing a trend here, you’re wrong. I don’t always watch movies I don’t like. Don’t believe me? I watched this movie today called Zombieland which was incred­ibly enter­taining. QED.

Bolt 3D

With a little luck, I managed to get hold of tickets for a prelim­i­nary screening of Bolt, the movie about a dog who sincerely believes that his make-believe Holly­wood life is real. It takes a while for him to learn that he doesn’t really have super-powers, but don’t worry, life’s not too dull even after he catches on.

Inter­est­ingly, the movie is completely in 3D, which means the audience needs to wear those special goggles that make things stand out (notice the pun?) The effects are pretty impres­sive, I must say.

Bolt rates high on the cute-o-meter, just as you would expect of a movie with a dog, a cat and a hamster in it. Add to that a little girl (voiced by Miley Cyrus) who loves her dog very much indeed, and you have the perfect recipe for a lovable Thursday-night-movie.

Phoonk

Horror movies seldom frighten me and I did not watch Phoonk hoping that it would. I was hoping, though, that it wouldn’t move me to fits of laughter (which it unfor­tu­nately did).

There’s no doubt that Ram Gopal Varma’s genre of horror is way better than the tradi­tional Ramsay Brothers’ formula. Even so, low expec­ta­tions is no excuse for making a mediocre film. Phoonk is a mixture of ideas taken from The Omen, The Exorcist and others, with an occasional attempt at cuteness. The under­lying theme is the usual one: a man who doesn’t believe in the super­nat­ural and his gradual trans­for­ma­tion into a believer. Perhaps this movie was aimed at an audience unfamiliar with those classic themes, but a little origi­nality would have been more than welcome.

I am also disap­pointed with the background score of the film. This is one of the most impor­tant elements of any movie, and is especially impor­tant for one that claims to scare its audience. Consider any well-received movie and you will find a fantastic score played at the right time and place, subtle yet effec­tive. In the case of Phoonk and such other films, there’s nothing but a suppos­edly scary piece of music played loudly at random inter­vals, making it quite hard to listen to the dialogue.

Cinema is a compo­si­tion of light and sound that requires careful timing, a plot built up at the right pace and a series of climaxes that enthralls the audience in one way or the other. Phoonk tries to be a ‘scary movie’ from the begin­ning to the end, and not surpris­ingly, it fails at this task.

Knight Rider

Many many years ago, there was a televi­sion series I kinda liked. They called it Knight Rider. I called it a guy in a cool car. I don’t remember much about those ancient days, but I still remember that I liked the series.

Over the last week, I watched the latest avatar of Knight Rider: the movie that aired on NBC. Now, it may have struck you as strange that I said ‘over the last week’, because people gener­ally don’t watch movies over a week. Give them two hours, and they’re done with it. But this one was different. This one was so bad you could have mistaken it for a soap opera. They might as well have sung me a lullaby.

Occasion­ally, the actors tried to act. Oh well, I’m sure they tried their best. See, this woman is chased by bad guys, who have probably killed her father. I suppose she believes in living “in the moment” though, because she only seems inter­ested in that car of hers. She’s also very inter­ested in knowing why her old boyfriend left her.

Like all movies, there’s this guy who claims to be the hero. He doesn’t do much, but I suppose they needed someone to fill the spot. He’s the son of the original Knight Rider, which is deemed an appro­priate excuse for pretty much every­thing he does. He’s also our heroine’s former boyfriend, who blew her off years ago for no reason at all.

There is no chemistry between them. She might just as well have eloped with the car.

And speaking of the car, this car has one of the most advanced artifi­cial intel­li­gence systems ever built. It can do a lot of things — access infor­ma­tion that couldn’t possibly be obtained, talk to people to make them feel better, and show pretty pictures related to every­thing it says. Unfor­tu­nately, its brilliant creator forgot to install a decent intru­sion detec­tion system, so the average bad-guy-geek can hack into its computer in what, twenty minutes?

Let’s skip ahead to the end. Actually, I still haven’t watched the ending, but let me guess how it would turn out. Obviously, our hero would claim some deep and dark reason for having abandoned his girl despite having loved her, and we would all be asked to feel sorry for him. Then the reunited couple would exchange the customary hugs and kisses, and would live happily ever after.

Maybe I’ll find out how it really ended, someday, but frankly, not knowing is turning out to be a far more exciting prospect.

Die Hard 4.0

I watched Bruce Willis’ latest Die Hard flick, Live Free or Die Hard aka Die Hard 4.0 recently. Assuming suspen­sion of disbe­lief, it was a reason­ably good movie. Apart from the crazy hacker stuff and John McClane’s (Willis) virtual indestruc­tibility, it was true to its prede­ces­sors in form and style.

Did you say McClane was indestruc­tible in the previous movies too? True, but then he didn’t battle a military jet or kill the bad guy by shooting him through himself. I bet the older John McClane could have given the Termi­nator a run for his money.

Never mind all that: what I simply cannot compre­hend is how everyone seems to have access to every single Govern­ment network possible. I do mean everyone — the hackers as well as the crackers. I know people can do some cool things with their computers, but this is way too much. Anyway, I was glad there was no third-time-lucky-password sequence (that is, the hacker/cracker is presented with a password prompt that he cracks on the third try, without ever having done it before.)

One impor­tant flaw, in my opinion, was that they paired up the wrong people. You know the classic plot — boy meets girl, rough times together, lots of destruc­tion, hugs and kisses all around, love at last, et cetera. But how the heck is that supposed to happen if the guy (Matt Farrell, played by Justin Long) spends all his time with McClane instead of McClane’s daughter? Looks like they really messed up that part of the story.

Overall, I would give it a rating of 3.5 out of 5. It could have been better. But wait — was it just a beta release?

Chak De! India

Today, I watched Chak De! India, the movie, thanks to the efforts of the Cornell India Associ­a­tion. In brief, this is the story of the captain of the Indian hockey team who is forced to give up the game due to certain baseless allega­tions, but returns seven years later to coach the women’s national hockey team and lead them to victory in the World Cup.

My opinion about the movie: definitely worth watching. The script and direc­tion combine a passion for the game with light touches of comedy and drama to conjure up a couple of hours of sheer excite­ment. There are also elements pointing to the personal lives of some of the charac­ters, adding a measure of reality to the story.